Mira Lobe’s Little I-Am-Me is a great work of art. It’s not only the content which is inspired – its simplicity, perspicuity, and its moral aspirations – but also its language is art at the highest level. How Mira Lobe works with rhythm and rhyme, how she builds tension by varying the length of the verse lines, how she applies repetitions – this is all done with a most impressive poetic virtuosity.
To quote an example: The sentence which is repeated over and over again – the “refrain”, so to speak, of the text, changes its MEANING according to which word is emphasised:
BECAUSE I am, I don’t KNOW who, SEARCHing here and SEARCHing there, SEARCHing there and SEARCHing here, WANT to know just I am WHO.
turns into:
Because I AM, I don’t know WHO Searching HERE and searching THERE Searching THERE and searching HERE, Want to KNOW just I AM who.
Mira Lobe doesn’t compromise her language in order to be more easily understood. “Childish” affectations are not her thing. She even uses occasional words which presumably are not part of any child’s language such as “hack” [horse], “barge”, “dressage”.