In order to experience something new, we ought first to delve into the abyss. “Floating fearlessly” with Hans Zender, we can find new approaches to the allegedly well-known. In the Beethoven-Year, a fresh attitude is called for, on an equal footing with the master. Zender creates something new by deconstruction; Georg Friedrich Haas takes us along into the midst of a centrifugal accelerando which hurls us into the depths of space, further and further.
