A self-alienating desire: There are many interpretations of Franz Schubert’s “Schöne Müllerin”, which set texts by Wilhelm Müller to music. To begin with, Johannes Maria Staud approaches the cycle via the most subtle calibrations of sound in his instrumentation for ensemble. By adding new compositions to texts by the poet Emily Dickinson, he lends the “Fair Maid of the Mill” a voice of her own, giving space to her subjective experience of these fateful entanglements.
Fremdes Begehren
Wiener Konzerthaus, Mozart Hall, Vienna
December 11, 2025 7:00 PM
No items found.
Programme
Johannes Maria Staud Die Schöne Müllerin/These Fevered Days. Instrumentation of Schubert’s song cycle with 7 new songs after Emily Dickinson for tenor and large ensemble (2023/24)
Artists
Klangforum Wien
Christoph Prégardien tenor
Conductor
Elena Schwarz
Partner
No items found.
No items found.
No items found.
